Dolly Alderton is something of a modern-day Nora Ephron, bringing a fresh and mordant perspective to the eternal struggle between the sexes. Her last novel, Ghosts, had the inscrutable male psyche as its subject; her new novel, Good Material (Knopf), tells the story of a breakup from a tortured male perspective. Its narrator, Andy, is a London comic in his mid-30s who, recently abandoned by his more corporate-minded girlfriend, finds himself having to redefine his place in the world among his coupled-up peers. He has the instinct (if not the perspective, in his lovelorn state) that as Ephron would have put it everything is copy, and the book finds the amusing angle in even the most poignant moments.
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Esta historia es de la edición Winter 2024 de Vogue US.
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Nothing Like Her
Billie Eilish was adored by millions before she fully understood who she was. Now, as she sets out on tour without her family for the first time, she is finally getting to know herself.
Coming Up Rosy - The new blush isn't just for the cheek. Coco Mellors feels the flush.
If the eyes are the window to the soul, then our cheeks are the back door. What other part of the body so readily reveals our hidden emotions? Embarrassment, exuberance, delight, desire, all instantly communicated with a rush of blood. It's no wonder that blush has been a mainstay of makeup bags for decades: Ancient Egyptians used ground ochre to heighten their color; Queen Elizabeth I dabbed her cheeks with red dye and mercuric sulfide (which, combined with the vinegar and lead concoction she used to achieve her ivory pallor, is believed to have given her blood poisoning); flappers applied blush in dramatic circles to achieve a doll-like complexion, even adding it to their knees to draw attention to their shorter hemlines
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A trio of novels spirits you far away.
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Paul Tazewell’s costumes for the film adaptation of Wicked conjure their own kind of magic.
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A story of survival on a whaling ship sets sail on Broadway. Robert Sullivan meets the crew behind the rousing folk musical Swept Away.
STAGING A COMEBACK
Harlem's National Black Theatre has been a storied arts institution in need of support. A soaring new home is shaping its future.
Simon Says
Simon Porte Jacquemus, much like his label, resonates with the sunny, breezy French South-but behind the good life, as Nathan Heller discovers, is a laser focus and a shoulder-to-the-wheel work ethic.
MOTHER SUPERIOR
The character of Rose in Gypsy is the acting Everest for many one-name acting legends. This fall, Audra McDonald takes it on.
WALK THIS WAY
THE FASHION FOR OUR FUTURE MARCH HAD A SINGULAR PURPOSE: TO GET OUT THE VOTE.
Written in Stones (and Etched in Metal)
Three years after taking the reins at Bottega Veneta, Matthieu Blazy unveils his first fine jewelry collection.
