RSHP's first encounter with luxury hotel group Maybourne happened 20 years ago, when the acclaimed architecture studio was approached to work with it on a new entrance for The Berkeley. It resulted in the sleek canopy, made of a series of 16 carbon fibre beams, that elegantly adorn its periodinspired façade to this day. Just next to it is The Emory, 'London's first all-suite hotel', which opened in Belgravia in April and is the latest and largest - product in the long, fruitful relationship that ensued.
RSHP partner Ivan Harbour was a key force in the project from day one, alongside the legendary practice co-founder Richard Rogers, who remained involved until his death in 2021. The Emory's location is in one of central London's most highly soughtafter corners, and naturally it influenced the project's design development. 'The Emory is part of a family of projects that we created around The Berkeley so, in that context, we were aiming to create something very clear on a site that is very dense and already fully occupied,' says Harbour.
'It had to be something that could be constructed as much as possible off-site, and so it had to have a level of rational thinking in the way it was organised. It was about making strong, rational decisions that would inform the construction process. What we created only exists because of the project's pragmatic constraints.' If in doubt about the project's high level of precise engineering and function-led design, a look at the main façade will convince you otherwise. The Emory stands proudly overlooking Hyde Park, its captivating network of steel outriggers peeking out from its rooftop-like masts, their slim steel rods running down the clean, functionalist façade, helping to define a neat grid of openings for the suites behind it.
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Esta historia es de la edición June 2024 de Wallpaper.
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Role Models - Elmgreen & Dragset's subversive take on the classical form at Paris' Musée d'Orsay explores contemporary masculinities in a heteronormative world
As Elmgreen & Dragset, Michael Elmgreen and Ingar Dragset bring a smart subversion to their large-scale installations. Over the last three decades, they have taken a sideways look at social and political systems by recontextualising mainstream motifs: works have included a full-scale replica of a Prada boutique in the Texan desert and a vast, vertical swimming pool, now installed in Hong Kong.
Flask Force - A limited-edition perfume collaboration between two Spanish craft masters says it with flowers
Loewe and Lladró are two brands with a lot in common. They're both Spanish, they're both born out of an obsessive desire to master a particular material (Loewe with leather and Lladró with porcelain), and they're both exemplars of luxury design. So it seems fitting, then, that the two maisons have finally come together for an exceptional collaboration, launching this autumn: a limited-edition run of porcelain flask toppers for three of Loewe Perfumes' classic scents.
Bloom Service - A flower-shaped brutalist beauty in Geneva gets a refresh
Tucked between the extensive campus of Geneva's University Hospital and a huddle of associated medical institutions, laboratories and surgeries, the Avenue de la Roseraie is trod by few casual visitors to the Swiss city. And yet here - out of sight in a small car park is an extraordinary structure that, situated elsewhere, would surely draw the attention of architectural students like bees to a nectar-rich flower. Horticulturalists, too, perhaps, for whom a building nicknamed La Tulipe might well incite curiosity.
Second Nature -A remodelled museum in Lisbon, by Kengo Kuma & Associates, meshes Japanese and Portuguese influences to create a space that sits in harmony with its surroundings
The Calouste Gulbenkian Foundation's complex in Lisbon has been one of the city's best-loved landmarks since it opened in the 1960s. The foundation aims to improve quality of life through art, charity, science and education, and its Lisbon campus encompasses a main office, library, scientific research centre and contemporary art museum, Centro de Arte Moderna (CAM), which reopens this month following an extensive four-year renovation by Japanese studio Kengo Kuma & Associates. Designed in collaboration with landscape architect Vladimir Djurovic, the update cleverly reconfigures the space and extends the foundation's gardens to craft a more cohesive relationship between the existing structures.
Cane and Able- Fusing traditional craftsmanship with contemporary vision, design studio Ibuku demonstrates the versatility of bamboo at a serene Bali villa
Over the last decade, Bali-based studio Ibuku, headed up by designer Elora Hardy, has become a leading expert in bamboo architecture, its output encompassing everything from a traditional Sumbanese house and a yoga and meditation space to playful treehouses and a riverside café at an eco-friendly jungle retreat in Ubud. In 2021, the studio completed The Arc sports hall at the Green School in Bali (founded by Elora's father, designer John Hardy). Made from a series of arches spanning an impressive 19m, it was a pioneering feat of bamboo engineering.
Guest Editor Marcio Kogan - Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century).
Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century). The 72-year-old architect has since become synonymous with contemporary Brazilian chic, offering a sumptuous blend of raw, textured materials; clean geometric forms; effortless functionality; vernacular design features; and a deep knowledge and appreciation of the rich, tropical modernist architecture legacy of his home country.
DREAM TEAM
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Commercial artists
We conjure up public spaces that look and feel good, taking our design cues from the domestic landscape
LINES OF BEAUTY
Massimo Giorgetti's new rug collection for CC-Tapis takes Milan's 1960s metro system as a departure point
Cloud pleaser
Blue-sky thinking elevates a purpose-built gallery for the Froehlich Foundation's art collection near Stuttgar
