In her studio in one of Sydney's most historic buildings, The Mint, where she sits as a permanent artist resident, Lisa Cooper is explaining some recent compositions.
"This one was commissioned by a photographer friend for the impending birth of his daughter," she says, indicating a ravishing arrangement of black velvet bows, deftly highlighted with darkest brown. "Black velvet draws so much light that you can barely document it," she says in her measured and very thoughtful way. "And the bow is a transfiguration of fabric into whimsy. I feel like it's a drawing of the light."
Esta historia es de la edición August/September 2024 de Belle Magazine Australia.
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Esta historia es de la edición August/September 2024 de Belle Magazine Australia.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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