IN 1825, an unusual order from a Highland woollen mill was delivered to Dunaincroy near Inverness, where the recently opened Caledonian Canal was causing severe problems. So porous were the glacial gravels along this stretch that the waterway could not be maintained to the required 15ft level and so, faced with yet another setback, the engineer James Davidson chanced a radical solution. He ordered the basin to be drained and dredged, then had its bed and banks lined with webs of thick tweed and matting, over which was poured a layer of puddled clay and sand. It worked! The cloth provided a bond for the clay, which dried into a watertight skin, and the canal stopped leaking.
Sailing peacefully along the canal today, it’s difficult to imagine the challenges that beset Thomas Telford’s boldest feat of civil engineering. Politically controversial, vastly over budget and fraught with logistical problems, the Caledonian Canal was the HS2 of its day. When eventually it opened (unfinished) in 1822, it had taken 19 years, instead of the predicted seven, to construct and set the government back nearly £1 million (instead of the quoted £350,000). This was by no means the final bill.
Yet, there can be no doubting the marvel of Telford’s project, which introduced the north of Scotland to the industrial age. The Herculean task involved diverting roads and rivers, dredging lochs, cutting through rock and fossilised oaks, excavating millions of cubic yards of earth and building embankments, aqueducts, dams and 29 locks to create a navigable waterway across 60 miles of wild and uncharted terrain.
Esta historia es de la edición August 24, 2022 de Country Life UK.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición August 24, 2022 de Country Life UK.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery