ON A SUNNY Barcelona morning, leaning out of the Royal Enfield Guerrilla's saddle while exiting a corner, I can't, for the life of me, remember why I don't ride motorcycles as often as I can. Granted that the riding conditions here, on the B-roads snaking their way around the city's mountainous periphery, are exceptionally perfect. The tarmac features an intoxicating mix of banked turns; long, sweeping sections; and troughs and dips that send your adrenaline and dopamine levels overflowing from their respective neurological receptacles. But I am reminded of my own Royal Enfield Interceptor 650 that lies forlorn in a basement, waiting for the Mumbai monsoon to end.
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Esta historia es de la edición August - September 2024 de GQ India.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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In Haider We Hope
The role of a fashion designer is one usually forged in chaos and fired down by “creative differences”. But on the eve of a new Tom Ford directorship, Haider Ackermann has never felt more free.
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Varun Dhawan on balancing fatherhood and film shoots, and the pressure of making the right choices.
PRATIK GANDHI'S QUIET EUPHORIA
The actor―who delivered a knockout performance in Madgaon Expresson the high of a hit and the pressure of sustaining success.
THE COMEBACK KID
Buoyed by his performance in Singham Returns, Arjun Kapoor doubles down on creativity.
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Vicky Kaushal on the thrill and terror of stepping onto a Sanjay Leela Bhansali set, charting an unconventional career, and making sense of the money game.
A TRYST WITH STARDOM
Triptii Dimri segued from her left-field roots straight to the animal park. The gamble has paid off.
WALKING A TIGHTROPE
Following the monster success of Stree 2, Rajkummar Rao opens up about navigating artistic fulfilment and box-office glory.
THE MAHARAJA OF MEHRAULI
It's been an action-packed year for Tarun Tahiliani, the emperor of Indian couture.
LONE WARRIOR
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Filmmaker Imtiaz Ali talks about redeeming himself with the extraordinary Chamkila, dealing with star-studded setbacks, and why we've forgotten to make love stories.
