A gust of fresh air is blowing through the art world. A brand-new outfit called Ruby/Dakota has opened on the supercool strip of East 2nd Street. A whole new scene has formed around 56 Henry's two gallery spaces in Chinatown, and solo shows there by Laurie Simmons and Richard Tinkler promise to scintillate. Just north of the Whitney, Fort Gansevoort Gallery regularly showcases undiscovered artists, including, in September, 84-year-old quilt-maker extraordinaire Yvonne Wells. A gaggle of established artists are also exhibiting-Kara Walker, Simone Leigh, Nick Cave, and the still under-known Denzil Forrester among them. And the museums will have their fair share of thrilling exhibitions, too: The Whitney will feature American national treasure Alvin Ailey, MoMA will peer deep into its own brilliant bellybutton in a show about the woman who helped make the museum, and the Brooklyn Museum will give us an enormous show of artists based in its borough.
1 Alvin Ailey: Edges of Ailey - Whitney Museum of American Art, opens 9/25
Movement and dance have always existed at a slight remove from the art world. This show-a full-on retrospective of the late dancer-director-choreographer and poet of the body should abolish that notion once and for all while revealing his enormous creativity and psychic energies. In addition to the work of more than 80 artists influenced by Ailey, there will be dance classes, archival information, snippets of interviews, monthly performances, video, and more.
Esta historia es de la edición August 26 - September 08, 2024 de New York magazine.
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Esta historia es de la edición August 26 - September 08, 2024 de New York magazine.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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