SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
These are prime examples of what is now known as slop: a term of art, akin to spam, for low-rent, scammy garbage generated by artificial intelligence and increasingly prevalent across the internet—and beyond. From their weird narrative instincts and inert prose, Clarke realized the stories came straight from ChatGPT. Sometimes they would arrive with the original prompt included, which was often as simple as “Write a 1,000-word science-fiction story.”
Esta historia es de la edición September 23 - October 6, 2024 de New York magazine.
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Esta historia es de la edición September 23 - October 6, 2024 de New York magazine.
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IT'S BEEN a year of successful straight plays, even measured by a metric at which they usually do poorly: ticket sales. Partially that's owed to Hollywood stars: Jeremy Strong, Jim Parsons, Rachel Zegler, Rachel McAdams (to my mind, the most compelling).
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THE BEST COMEDY SPECIALS OF THE YEAR
THE YEAR IN CULTURE - COMEDY SPECIALS
THE BEST MOVIES OF THE YEAR
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