IN ITS FIRST SEASON, the FX restaurant drama The Bear was about inheritance, avoidance, and grief. Its center was Carmen "Carmy" Berzatto (Jeremy Allen White), and its overwhelming mood was Carmy's sensation of standing in quicksand. Doing nothing with his dead brother's struggling Chicago sandwich joint meant a slow slide toward bankruptcy and failure, but trying to escape seemed only to make the whole project sink faster. Season two, to its great credit, becomes a different kind of show-one with its own set of questions and preoccupations. It's still a series about inheritance and ambition and how a history of family pain can turn those two things into competing forces. But it's lighter than before-just a touch more hopeful while introducing new tension via inescapable relationship cycles and the costs of an all-consuming career.
The Bear's ten-episode second season relies on one of TV's best, most underused story arcs: a bunch of caring, flawed people coming together to build something they all love. It's a little bit Halt and Catch Fire in that respect and a little bit Ramy (an earlier show from The Bear creator Christopher Storer) in its mix of darkness and levity and the way it deploys its self-contained episode ideas. At times, it even has an '80s-drama vibe with sexy bluehued montages and unapologetically onthe-nose musical cues. This season is bigger and looser than the first and inevitably loses some of the taut, unrelenting rhythms that fueled its heady, nearly painful intensity. That is more than offset by other gains. Season two is more tender and wrenching, and its enlarged world hasn't diluted the show's characteristic intimacy.
Esta historia es de la edición July 3 - 16, 2023 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición July 3 - 16, 2023 de New York magazine.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.