AS HE MARKS 25 years since the release of his debut album, Rufus Wainwright muses: “I’ve learned to take advantage of my failings. I tend to be pretty, well, not lackadaisical but I’m very instinctual. I don’t spend all my time studying and practising. I let my heart take me where it wants to go and I always like to maintain a certain level of ignorance.”
He used to think that approach might be a negative character trait. “But over the years I’ve realised it’s kind of an asset. I’ve maintained a sense of discovery whenever I’m doing anything new or interesting. It’s always very dangerous and exciting for me, as opposed to something I’ve fully mastered.”
The man whose albums include 2020’s Unfollow the Rules has always marched to the beat of his own drum. Whether it’s mining diverse musical styles, composing operas or recreating Judy Garland’s Carnegie Hall concert album live on stage, he’s an iconoclast who defies categorisation.
When we speak he’s at home in Laurel Canyon, casual in a loose-fitting shirt, sporting a grey beard and a full head of dark hair. He’s looking forward to performing at the Cambridge Folk Festival in what he promises will be “a fun show” with his new folk band, which includes his half-sister Lucy Wainwright Roche and his musician friend Petra Haden.
Is there anything he especially enjoys about performing outdoors? “I was going to say that it depends on the weather,” Rufus grins, “but I have quite a few fantastic memories of performing in England for outdoor crowds when the weather has been pretty crap and people get into it anyway.
Esta historia es de la edición August 2023 de Reader's Digest UK.
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