Tina Turner defined the role of the female rock star and took it to stratospheric heights. Blessed with a strong, soulful singing voice and phenomenal reserves of energy, she was a performer with a smart, sophisticated sheen underpinned by raw, animal magnetism. Her 1984 album Private Dancer sold more than 12 million copies worldwide – a tally matched by only two other albums released by women up to that point (Like A Virgin by Madonna and She’s So Unusual by Cyndi Lauper). Turner’s show at the Maracana Stadium in Rio de Janeiro in January 1988 in front of 180,000 fans earned her a place in the Guinness Book Of World Records for the largest audience ever assembled (at the time) by any performer, male or female, for a ticketed musical event. Turner was then 48 and close to the peak of her powers: a star of MTV, a member of the Live Aid rock aristocracy, a global stadium-rock phenomenon, and a household name. She was simply the biggest, as well as the best.
When I met her in London in June 1987, she had acquired an appropriate grandeur but was nevertheless a somewhat nervous and tightly strung object of scrutiny as she navigated her way through an afternoon of interviews with various international journalists, ending with an appearance on Terry Wogan’s show at BBC Television Centre. Smaller than you would think (5'4") and immaculately dressed in a simple but stunning skirt and top, she spoke quietly but firmly.
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