Having crafted his enduring legend in the 70s, David Bowie had never been anywhere near as commercially successful as he was in the early 80s. 1983’s Let’s Dance album was huge, its accompanying six-month Serious Moonlight tour enormous.
Its ’84 follow-up Tonight did similar business, but behind the scenes Bowie was facing something of a writer’s block. Aside from Tonight’s singles (Loving The Alien, Blue Jean) all of its constituent material were co-writes (largely with Iggy Pop) and covers. Bowie needed inspiration. So when in the spring of ’85 film director Julien ‘The Great Rock ’N’ Roll Swindle’ Temple approached him to write the theme song for his ambitious musical adaptation of Colin MacInnes’ classic 1959 proto-mod novel Absolute Beginners (and to play the part of Vendice Partners) he leapt at the chance.
Meanwhile, former Thomas Dolby sideman Kevin Armstrong’s career was in free fall. “In the shitter, to be honest,” admits the guitarist, with rather more cheeriness than one might expect. Groomed for solo stardom by EMI, Armstrong had a debut album already recorded (which he owned outright), video made, name remixers and band in place, but “it all came crashing down”.
While in a state of ‘Well, what do I do now?’ the phone rang. It was Hugh Stanley-Clarke, an A&R man at EMI, who simply stated: “Go to Abbey Road. Take a guitar. You’ll thank me later.”
Esta historia es de la edición July 2024 de Classic Rock.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición July 2024 de Classic Rock.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Dream Theater
With friends (and bandmates) reunited for the band's 40th anniversary, it'll be a special night for fans at Wembley Arena.
Royal Republic
Livewire, turbo-harmonised, disco-rocking Swedes get ready for upgraded UK and Europe dates.
GOTTA KEEP MOVIN'
In 1968 the MC5's Kick Out The Jams album was a grenade thrown into the music scene. In the decades since, Wayne Kramer acted as guardian of the band's legacy until he died earlier this year, after making one final album.
THE KILLING FLOOR
Now revered as a linchpin moment in the history of the blues, Howlin' Wolf's London sessions in 1970, with a superstar cast that included some of England's rock royalty, came out of a chance encounter several months earlier at a gig in San Francisco.
ROGUE TRADER
Recording almost everything on his latest album himself and putting it out on his own label, Tuk Smith followed the adage that if you want something doing properly, do it yourself.
BILL WYMAN
WW2 evacuee, RAF airman, Rolling Stone, hit solo artist, bandleader, author, restaurateur, archaeologist, cricketer... Even just his time in The Greatest Rock'N'Roll Band In The World is storied, but there's been much, much more to his life than that.
LIFE IS A JOURNEY
For some people, travelling life's road is easy. For lifelong worrier Myles Kennedy it's anything but. But with his brand new solo album The Art Of Letting Go he's learning just what that title says.
ALL ABOUT BEING LOUD
In an exclusive extract from his Fast Eddie biography Make My Day, long-time Motörhead associate Kris Needs looks back at the making of their game-changing Overkill album and the subsequent killing-it UK tour.
Nikki Sixx
The Mötley Crüe bassist on making new music, replacing Mick Mars, work-life balance, learning when to say no...
Bobbie Dazzle
Meet the West Midlands singer bringing back upbeat music, fun and fashion of the 70s.