In the autumn of 1987, Tony Martin received a phone call from his manager, inviting him to take a drive around the pair’s native Birmingham. At the time, Martin was the frontman with a local band called The Alliance. They had recorded a session for BBC Radio’s The Friday Rock Show and, thanks to a development deal with Warner Brothers Records, recorded an impressive demo tape that was generating a little below-the-radar attention.
Martin’s manager, Albert Chapman, was the owner of The Elbow Room, a rough-and-tumble nightspot on the city’s Aston High Street. Chapman had been a schoolmate of some of the members of Black Sabbath, and took on the role as their tour manager during the band’s rise to international success during the mid-70s. Consequently, Chapman knew almost everybody on the rock scene, especially in the Midlands. On the afternoon concerned, when Martin enquired about their destination, Chapman remained evasive.
“So, we pull up at this house, Albert knocks on the front door,” Martin says now, “and when it opens, fuck me, there stands Tony Iommi.”
Backtracking just a little, Chapman had put forward the name of his young charge a couple of years earlier, at a time when Sabbath were having issues with their latest frontman, former Trapeze and Deep Purple bassist/vocalist Glenn Hughes.
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