When Sleater-Kinney emerged amid the '90s riot-grrrl movement, they stood out as a group of three young women making explosive records fueled by rage. The trio's new effort, Little Rope (Loma Vista), is barely less explosive but fueled primarily by a different emotion: grief. Sleater-Kinney were midway through the songwriting process when guitarist Carrie Brownstein learned that her mother and stepfather had been killed in a car accident while on holiday in Italy.
On this new album, Brownstein and fellow guitarist/vocalist Corin Tucker manifest all the feelings of loss in sounds that range from thundering to delicate. Now 30 years into their career, Tucker's monumental voice is more than equal to the task, and both guitarists wrestle their Gibsons into tones both caustic and vulnerable.
For some, grieving is a process of disappearing into yourself, but for Brownstein, Little Rope is exactly the opposite. "We just wanted to make something that felt extroverted, that felt lively, and that felt like it was going to be a container for these big emotions and sounds," she says. "Usually our favorite records are something that's going to bring people in and create an environment where there's restlessness and urgency. Whether it was guitar tones or tempo, I think everything just had this energy to it."
Little Rope carries off the feat of being melodic and aggressive at the same time, thanks to the interplay between Brownstein and Tucker's guitar tones. "We were just getting tones that were really crunchy to layer underneath prettier tones," Brownstein explains. "Two pedals that we really toyed with a lot were the Expandora [fuzz] and the Jangle Box [compressor]. I used a lot of chorus. I like putting a little harmonizer on things, or phase, but I like stacking that over something that is very corrosive.
Esta historia es de la edición June 2024 de Guitar Player.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición June 2024 de Guitar Player.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
How I Wrote..."Year of the Cat"
AI Stewart reflects on his beguiling hit, some 10 years in the making.
UAFX
Teletronix LA-2A Studio Compressor
LINE 6
POD Express
MAN OF STEEL
He brought the Dobro to centerstage with his dazzling talent. As he drops his first album in seven years, Jerry Douglas reflects on his gear, career and induction in the Bluegrass Hall of Fame.
HIGH TIME
The new MC5 album took more than 50 years to arrive. The band members have all passed on, but the celebration is just beginning.
58 YEARS OF GUITAR PLAYER
As Guitar Player moves full-time to its online home, we look back at some of its greatest stories in print.
DRAGON TALES
In a Guitar Player exclusive, Jimmy Page sheds light on the amplifiers behind his Led Zeppelin tone and how they live again in his line of Sundragon signature amps.
CLOSER TO HOME
Rehearsal space, studio, vessel and abode Diego Garcia's boat is the home base for his new album, as well as his musical life as the seafaring Spanish guitarist Twanguero.
Funk Noir
With The Black Album, Prince made his greatest-and most infamousmusical statement.
Medium Cool
Striking the middle ground between its Thinline brethren, Gibson's ES-345TD remains a versatile, if underrated, gem.