GT: Do you have a type of pick that you can’t live without?
AP: Fender Heavy pick, with my initials on it! That’s the best one!
GT: If you had to give up all your pedals but three, what would they be?
AP: 1: All original Tube Screamer.
2: All original Tube Screamer (this is not a typo - I pair them!).
3: Original Boss chorus CE-2. And one more for the road- Dunlop wah-wah pedal MC404.
GT: Do you play another instrument well enough to do so in a band? And if so, have you ever done it?
AP: I started playing drums not long ago. Not sure if anyone would hire me as a drummer but I sure enjoy the heck out of chasing that pocket in many tunes on my playlist. It’s so relaxing and stress diminishing; I can do it for hours! Plus it helps my guitar playing (all the licks to stay in the pocket) and it makes it easier to explain what I want to hear in my songs to the band.
GT: If a music chart were put in front of you, could you read it?
AP: Yes. But it would take some practice as I studied music a long time ago and I don’t work with charts with my musicians. But, like everything, with practice it would come back to me.
GT: Do guitar cables really make a difference? What make are yours?
AP: I use CORDIAL cables. Cables do make a difference if they mess up your sound on stage. Crackling, breaking up, even when they just tangle up easier on stage that really messes me up. They should have clarity, and they should last long without the need to replace them, so we can just rely on a smooth performance without the cable issues. Thank you very much!
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Esta historia es de la edición Spring 2023 de Guitar Techniques.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
