The Italian word legato roughly translates as 'smooth'. For guitarists, the legato techniques involves a series of slurs using hammer-ons, pull-offs and slides to create a smooth sound, void of a busy pick attack. This legato techniques works well in many genres, but particularly those where overdrive and distortion are used, which helps create sustained notes, which in turn help with fluidity and even out dynamics. The legato technique can be used alongside two-handed tapping, to add further reach and opportunities. Make sure that you check out next month's column where I will taking at look at the two-handed tapping technique.
Legato, due to its very nature, offers a different sound compared to other techniques such as alternate picking. It can be challenging at first because the fretting hand has a lot of responsibility. It calls for greater fretting accuracy in the first instance because notes have to fretted with more precision, striking the note with enough force while making sure that adjacent strings are muted sufficiently. Coordinating the fretting and picking hand can also be a struggle at first, but with practice it becomes so much easier and very satisfying.
Esta historia es de la edición August 2023 de Guitar Techniques.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición August 2023 de Guitar Techniques.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.