GT: Do you have a type of pick that you can’t live without (if so, make, gauge and why)?
BD: Any medium pick! I’ve never gotten around to having a favourite make. It’s always whatever one I can nd!
GT: If you had to give up all your pedals but three, what would they be?
There’s only three we really use: 70s MXR Script Distortion, MXR Phase 100, TC Electronic Chorus.
GT: Do you play another instrument well enough to do so in a band?
BD: Yes, Michael (brother Michael D’Addario) and I have both played drums and keys live in the band before. I’ll be playing bass with this new live con guration as well.
GT: Many pop musicians do read music, while others prefer to play by ear. If a music chart were put in front of you, could you read it?
BD: Yes I could, but very slowly. Michael could read the rhythms.
GT: Do guitar cables really make a difference? What make are yours?
BD: If they’re too short, you’re liable to trip and fall on stage.
GT: Is there anyone’s playing (past or present) that you’re slightly jealous of?
Esta historia es de la edición October 2023 de Guitar Techniques.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición October 2023 de Guitar Techniques.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
