SEVEN DUST rhythm guitarist John Connolly was loving the sound of the band’s Truth Killer album as they were tracking it in Florida last summer. It’s easy to understand why; the veteran Atlanta hard rockers’ 14th full-length consistently brings the boom through a series of chunked-out, darkly detuned progressions. But the guitarist also recalls one particular moment — a couple of days after he’d locked in a bombastic, inverted bend motif for the record’s “Love and Hate” — where things got a little weird. As bassist Vince Hornsby began laying down the low end for producer Michael “Elvis” Baskette, a bewildered Connolly noticed the piece had accidentally devolved into a tonal nightmare.
“I walked in and was like, ‘Why does this sound…off?,’” Connolly tells Guitar World. “They couldn’t get the bend; something about being down that low just wasn’t connecting. So I played the riff on my guitar, and they were like ‘Ohhhhhh!’ The bass was just [tuned] a half-step off, but I was having an aneurysm listening to it.”
“The menacing sound of that bend is such a big Sevendust thing to me,” lead guitarist Clint Lowery says of “Love and Hate,” though he reveals that the song had been on the chopping block before the group perfected its powerfully percussive edge — and pitch. “It’s got this really simple, Alice in Chains, chromatic, one-fret [descension]. That Jaws kind of energy goes a long way.”
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Caparison Dellinger-JSM V2
WAY BACK IN the dark ages (a.k.a. the Eighties), there were two distinct types of guitar shredders who occupied opposite sides of the spectrum: the hard rock player whose weapon of choice was a super Strat versus the country picker who inevitably opted for a Telecaster.
The Ultimate Guitar Shop
Christie’s Jeff Beck Auction offers a revealing look at numerous iconic instruments from the legendary guitarist’s entire career from the Yardbirds to Johnny Depp
Blown Away
Jeff Beck's landmark Blow by Blow dramatically transformed the future for instrumental electric guitar music. Fifty years later, it still remains an inspirational force
TAKE NO PRISONERS
In this exclusive excerpt from Dreaming Japanese, Marty Friedman's new autobiography (co-written by frequent GW contributor Jon Wiederhorn), the ace guitarist details his auditions with Ozzy, Megadeth and - what's this about Madonna?
MAGNIFICENT
Tearing up the blueprint with an octave G string, Johnny Marr's new seven-string Martin signature model is a distillation of all the British icon's most rebellious opinions on acoustic (and yes, there's also a six-string version)
Xotic XSS Super S-Style electric guitar
AS FUNNY AS this sounds, when a brand sends me a new guitar model outfitted with only one pickup, I say to myself, “That’s bold.” Releasing a spartan guitar like the Xotic XSS Super S-Style seems like such a throwback to a time when a guy with the initials EVH changed the entire guitar-world landscape by playing guitar with a solitary humbucker and making every guitarist around the globe realize that might be all we need.
IF GUITAR GOD IS A WOMAN
With renewed confidence and a slew of new guitar-forward songs, Larkin Poe's Rebecca and Megan Lovell are upping the ante of their blues-rock sound once again on seventh album Bloom
TC Electronic Plethora X1 TonePrint Loader
JUDGING BY THE abundance of effects that the TC Electronic Plethora X1 TonePrint Loader makes available to guitarists, it is obvious that TC knows what it means to have a plethora. Just the same, if having too much of a good thing brings you joy, then TC Electronic's Plethora will bring much delight with its many desirable and stellar-sounding effects - each offering a wealth of options.
1950-69, 1986-PRESENT FENDER ESQUIRE
IT’S PRETTY DAMN cool that the very first commercially produced solidbody electric guitar, the Fender Esquire, can still kick serious butt today; you can’t say that about too many 75-year-olds. Many guitarists often forget that the Esquire came before the Telecaster and that a two-pickup version of the Esquire, which came a few months after the single-pickup version, was essentially the first Broadcaster/Nocaster/ Telecaster. But here I’m just going to focus on the single-pickup version.
Tallon Electric "The Noise"
UNLESS YOU’VE BEEN living under a rock, you’ll know that collaborative pedals between artists and manufacturers are all the rage now.
