NOVA TWINS ARE the most exciting young band in the U.K. Combining rap, punk, R&B, and metal, they also have the filthiest synth sounds a stringed instrument has ever produced. They're the first band since Muse to have tones on their album that we genuinely don't know how to make. They're influenced by music many guitar bands don't even consider. And most importantly, their current album, Supernova, is stuffed with great songs.
The Twins, guitarist/vocalist Amy Love and bassist Georgia South, have been a band since 2014 and are finally catching a buzz, thanks to the support of Rage Against the Machine guitarist Tom Morello. Georgia says Rage's support has been invaluable. "With them being a diverse band, they can kind of understand some of our experiences being women of color. The success they've had was really encouraging because there's so many times we'd hit a wall with people not getting it. Seeing a band like Rage Against the Machine, one of the biggest bands in the world, being fully diverse - it's inspiring."
In 2019 Nova Twins supported Prophets of Rage, Morello's rap-metal supergroup with members of Cypress Hill and Public Enemy, and were booked to open RATM's sadly canceled 2022 U.K. dates. "People wouldn't know about us if we didn't have big bands helping us," Georgia says, "because the industry at first weren't getting it. It was two girls playing heavy music looking the way we do, and it was a bit like, 'We don't know where to put you.'"
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
