MICHAEL AMOTT
MXR PHASE 90
"I HAVE SO many phasers, but the one I usually go back to is the classic Phase 90. It just sounds how I imagine a phaser to sound in my head. I have all these custom-shop ones from Japan or whatever, but they don't really sound like the ones I heard on those famous records. I even have the EVH one [MXR EVH Phase 90], but I kinda prefer the regular Phase 90. I run it with the speed at zero, and it gives everything this extra fatness and slight sense of movement. I like the 3D kind of depth it brings."
ARIELLE
J.ROCKETT ANIMAL
"MINE IS THE old model that looks like a bread box. I love it because no matter what amp I put it in front of, it breaks things up beautifully with just the right amount of gain - especially when I don't want to kill everyone's ears with volume. The gritty saturated tone is so minimal, and it creates smooth Dumble-like tones, plus other sounds more associated with Fender, Marshall and everything in between. If I could only have one pedal, this would always be my first choice."
JOHN BAIZLEY
FTELECTTRONICA SCHUMANN PLL
"I USED THIS analog harmonizer pedal a lot on the last Baroness album, as well as a handful of tracks from Purple. The builder's name is Schumann, and I believe he only makes two pedals - both of which are ridiculous and unique. They're very pricey; the PLL I used actually belonged to our producer, David Friddman. It's very bizarre with lots of weird knobs and dials with some kind of envelope follower, while also having this very rich fuzz tonal characteristic."
LARI BASILIO
JHS MORNING GLORY
Esta historia es de la edición May 2023 de Guitar World.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición May 2023 de Guitar World.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
DAZED and CONFUSED
Providing more hits and misses than a vintage K-Tel Top 40 compilation, the guitar industry during the '70s was anything but boring
BEST 70s SOLOS, RIFFS and FORGOTTEN HEROES
A horde of guitar stars including Warren Haynes, Doug Aldrich, Sophie Lloyd, Frank Marino, Vernon Reid and Mike Campbell (not to mention Blackbyrd McKnight, Jared James Nichols, Steve Lukather, Steve Morse and Charlie Starr) choose the best stuff from the '70s