I saw Johnny Thunders — with the New York Dolls on U.K. TV in 1973 — I immediately connected with the reckless abandon that was apparent in every gesture, every guitar-hero pose he struck. And then there was the rawness of the band’s approach at a time when mainstream rock was still mired in the keyboard-laden pomposity of prog and the tired blues-rock tropes that had become the standard fallback for many so-called “serious” bands of the time. As a huge fan of British glam rock, particularly T. Rex and Slade, here, at last, was an American band unafraid to transcend the predictable and the expected, to deliver their own brand of shock rock ’n’ roll. Even 50 years later, when taking a solo, if in doubt, I’ll ask myself, “What would Johnny Thunders do?”
The mystery is why Thunders remains relatively uncelebrated, yet the artists who have admitted his influence — including John Frusciante’s gushing comments in the June 2022 issue of GW — dominate modern rock music. It’s time to address Thunders’ legacy and restore him to his rightful place in the pantheon of rock ’n’ roll. Thunders was the embodiment of the “live fast, die young” guitar hero mythology. With his low-slung Les Paul Junior, leather jacket and shock of black hair, he became an instant cultural icon when the New York Dolls started to attract attention. Unfortunately for Thunders, addiction issues dogged him from the early Seventies; while fellow Heartbreaker Walter Lure managed to kick the habit in the late Eighties, Johnny was never able to do the same and was to meet an untimely end in a New Orleans hotel room in 1991. The cause of death? It was officially an overdose, but mystery surrounds the details.
Esta historia es de la edición December 2022 de Guitar World.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición December 2022 de Guitar World.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
THE JESUS LIZARD
Duane Denison tells you everything you need to know about his gear, trying to sell Steve Howe a guitar in the Seventies and oh, yeah! - 2024's Rack, the Jesus Lizard's first new studio album in 26 years
MATTEO MANCUSO
The Italian jazz-shredder on social media, his love of the Yamaha Revstar and the advice given to him by Steve Vai
GRACE BOWERS
After a \"whirlwind\" year, the 18-year-old sensation discusses her love of SGS, inspiring a new generation of female guitarists, and how she's more than just a blues player
THE GUITARISTS OF THE YEAR
GUITAR WORLD'S EDITORS AND WRITERS SELECT 2024'S GAME-CHANGERS AND TASTEMAKERS
OUR FAVORITE GEAR OF THE YEAR
THERE WAS AN ONSLAUGHT OF NEW GUITAR PRODUCTS RELEASED OVER THE PAST 12 MONTHS. HERE ARE THE ONES THAT HAD US ALL TALKING
NEWS OF THE (GUITAR) WORLD
SIT BACK AND GET READY TO RELIVE THE BIGGEST, BADDEST AND DOWNRIGHT CRAZIEST GUITARCENTRIC HEADLINES OF 2024
The Courettes
A PAIR OF FUZZ-TINGED GARAGE ROCK MANIACS EXPAND THEIR SOUND AND THE RESULTS ARE EXQUISITE
Within the Ruins
JOE COCCHI REVISITS HIS CLASSIC PHENOMENA TONE (AND A COUPLE OF COMIC BOOKS) TO CRUSH THROUGH A SUPERHEROIC SEQUEL
The Bad Ups
PHILADELPHIA PUNKS LOAD UP WITH PAINT-PEELING POWER CHORDS ON THEIR DEBUT ALBUM
The Return of Tab Benoit
AFTER MORE THAN A DECADE COMMITTED TO THE ROAD, THE LOUISIANA BLUES ARTIST IS BACK WITH A NEW 10-SONG COLLECTION, I HEAR THUNDER