Stuart Ryan is a familiar face around these parts. A well-known educator and pro guitarist, he's contributed many superb demos and lessons to Guitarist. We're huge fans of his agile, articulate playing, which spans everything from Americana to acoustic fingerstyle. We'll also freely admit to having envied his guitar collection over the years, which has included some of the very best instruments money can buy, from Froggy Bottom acoustics to Custom Shop unobtainium, vintage flat-tops and more. But a recent A/B comparison video Stuart posted on social media gave us pause for thought.
In the video, Stuart played a modded 30-year-old Epiphone Sheraton alongside a 1959-spec Gibson 'Murphy Lab' ES-335 worth around £5,000. While a keen ear could detect subtle differences, it's fair to say that the Epiphone gave as good as it got. Given that we were making this Epiphone anniversary issue as the video was posted, the time seemed right to get to the bottom of whether it really is worth making the extra investment to get a Custom Shop semi when an old Korean Epiphone can come so tantalisingly close to matching Murphy Lab performance with a few judicious mods. Intrigued, we gave Stuart a call to find out more, starting with how he came by the Epiphone in the first place.
"That Epiphone was my 18th birthday present, nearly 30 years ago," he recalls. "I found it under my parents' bed, two days before my 18th birthday. I kind of knew I was getting it, but when I found it, I thought, I'm going to open this now and have a strum.' And yeah, it just felt great. Those Epiphones from that era, they're amazing, absolutely amazing. About 10 years ago, I had a '63 Custom Shop 335 and I ended up preferring that particular Epiphone, to be honest. So the 335 went and that was even prior to the upgrades I've since made to the Epiphone.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more