Production-style methodology has always been at the heart of PJD: clean craft and design, well executed and far from expensive. In fact, its new Standard range – which kicked off in 2023 and includes the single-cut Carey, the S-style Woodford, the original-shaped T-inspired York and PJD’s previously best-selling offset St John – actually kicks off at just £1,299. The next Standard Plus tier all include vibratos at £1,499, while a lightly wornlooking ‘spray over’ finish, available on both levels, adds between £250 and £300.
The York-based brand has also recently installed a Plek machine to add further consistency as the company slowly ramps up production. It’s a long way from the ‘man-in-shed’ style of many Brit makers. But while the build is purposely streamlined, the craft remains very tidy.
The main difference between the new 2023-onwards Standards and the earlier, more expensive models of the same name is the switch from chambered lightweight ash bodies to solid (but still lightweight) obeche. While the inspiration is obvious with our offset – it’s slightly downsized from the Jazzmaster template – we get an arm-reststyle forearm contour and a lightly dished ribcage cutaway on the back. The edges are radiused like a Strat or Jazzmaster, unlike the sharper chamfered edges of the original Standards, while the finish is very thin nitro that’s silky smooth and open pore. There are quite a few finish options, too, including the Shell Pink over sunburst of our review model – hardly a true relic, but it all ties in with the lightly aged hardware to create a far from precious lived-in and well-gigged feel.
Esta historia es de la edición March 2024 de Guitarist.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición March 2024 de Guitarist.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more