Ever since its launch in 1954, the Fender Stratocaster has been, at once, the most recognisable electric in the world and the most mercurial. While Telecasters tend to deliver a somewhat familiar ride every time you pick one up, when you try a Strat for the first time it’s harder to predict whether it will be light, pristine and bright – or dark, warm and gutsy. That’s partly because, beneath the skin, the model has changed like a chameleon through the different phases in its evolution.
With the model’s eighth decade in production just around the corner, we began thinking about whether it’s possible to crown a particular point in the Strat’s storied life where it had reached perfection, the peak of its evolution as a design. A point before which everything was a work in progress – and after which everything was merely a variation on a theme. To help us answer this slippery question, we enlisted the help of some true Strat aficionados to try to identify the point at which the model reached its apex – if that exists in any meaningful sense – while gaining fresh insights into this timeless design.
Since we ran a detailed comparison between vintage guitars and their Custom Shop counterparts back in issue 443, we’re going to exclude reissues from the reckoning, since they are essentially just modified copies of the original kit. If modern Strat tone is your thing, you’ll find guides to contemporary visions of Fender’s Strat elsewhere in this feature. Here, however, we’re going to look at the seminal early decades of the Strat’s evolution and see if we can chart where the original seed of Strat design reached its zenith.
IN THE BEGINNING
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Esta historia es de la edición Summer 2023 de Guitarist.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more