In March 1981, Prog readers would have been forgiven for raising an eyebrow in surprise upon seeing Dave Stewart, previously keyboardist with Egg, Hatfield And The North and National Health, sharing a Top Of The Pops stage with The Zombies' Colin Blunstone. They were there promoting Stewart's delightfully skewed reworking of Jimmy Ruffin's What Becomes Of The Broken Hearted as it hovered just outside the UK's Top 10.
But that surprise would be as nothing compared to the shock of seeing Stewart back on the show a few months later, this time with Barbara Gaskin singing an equally idiosyncratic arrangement of Lesley Gore's 1963 teen-angst hit, It's My Party. When the song settled down to a four-week stint at No.1 nobody was more astonished than the duo themselves. "It was just completely bizarre," says Gaskin, reflecting on the strange and unexpected turn in their careers that ultimately changed their lives. "We'd both been in bands prior to that and we were 30 when we had that hit, so we were kind of mature, but of course, we were very surprised when it shot up the charts."
"It was insane," recalls Stewart. "It was like a kind of crazy film made by a lunatic director of what could happen to serious musicians if they take a step to the left into a new dimension. It was like a fantasy film."
His previous forays into TV had been with National Health on The Old Grey Whistle Test and as a member of Bill Bruford's band on BBC Two series Rock Goes To College at the tail-end of the 1970s. While both of these could be said to embody the kind of show on which you'd expect to encounter Dave Stewart, fronting a single that become a best-seller in places as far afield as Germany and Australia was most definitely not.
Recording the song was intended to be nothing more than a laugh at the time, says Stewart now.
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JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
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CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
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Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
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We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
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Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.