Derek Sherinian is more bashful and reserved than usual. The former Dream Theater and Sons Of Apollo keyboard player has been known to be somewhat scathing of his old bandmates.
Indeed, there was a sense that the much-lauded Sons Of Apollo project - which also featured then-ex-Dream Theater drummer Mike Portnoy - was motivated by a desire to overtake them in the progressive metal hierarchy. That band released two impeccably crafted albums and there were lofty expectations of a third album that could finally propel them into the genre's higher echelons. By the tail end of 2020, Portnoy's interest in the band seemingly cooled and it plummeted down his priority list. Fast forward to 2023 and the drummer's return to Dream Theater provided a public, non-verbal declaration that cemented the demise of Sons Of Apollo.
"Yeah, and you know what? Whatever," says Sherinian, his voice genuinely lacking any signs of disgruntlement. "Basically, I think that Covid was the brutal death knell for Sons Of Apollo. It simply came down to the fact that Mike had other obligations with his other bands, which was understandable. But who knew how long that was going to take? Ron [‘Bumblefoot’ Thal, guitarist] and I were sitting there and we just didn’t want to wait to see what was going to happen in the future. I’d wanted to just move forward and start something fresh. So, that’s what we did and it’s that simple. It ended up working out for everyone. Honestly, it all worked out great. I wish Mike and the guys in Dream Theater the best. I really hope that they make a great record.”
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Esta historia es de la edición Issue 150 de Prog.
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JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.
