And while they have not usurped American businessman cum musician Dean Gitter (who took a mere 57 years to follow up 1957's Ghost Ballads with Old Folkies Never Die), the Swedes were fast approaching the almost 12 years that elapsed between King Crimson's Three Of A Perfect Pair and Thrak.
So, after a steady work rate that yielded the band's first four studio albums in the period from 2005 to 2013, how on earth did it take Moon Safari so long to release the excellent Himlabacken Vol. 2?
“Perhaps we can blame the kids?!” says lead vocalist/acoustic guitarist Petter Sandström from his home in Stockholm.
Sweden’s birth rate this millennium has dropped well below two children per woman, but Moon Safari have clearly been doing their utmost to buck the trend and expand their homeland’s population.
“When we started this recording, there were four kids among the six bandmembers; now there are 16,” expands Umeå-based bassist/vocalist Johan Westerlund.
But beyond the domestic matters and day job commitments that continually slowed the progress of making the album, there were some band issues.
“There was just so much circus along the way,” Westerlund says with a sigh, and admits there were times when Moon Safari thought that the album would never be finished.
“This process has taken forever. It felt like the album was cursed. When we got the master done this summer, a big weight was lifted. Then it was onto the fun stuff – getting the artwork and everything ready for release and starting to talk to people is such a different world. It’s hard to realise that we’re done.”
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JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.