The last time Prog spoke to Wheel, the future looked bright. The Anglo-Finnish band were about to release their second album, Resident Human, and frontman James Lascelles seemed in good spirits as he discussed mindfulness and the benefits of yoga and exercise, explaining how they helped him work through issues that had caused him to "completely burn out" in summer 2020.
Only, Lascelles wasn't out of the woods yet. "It took me quite a while to bounce back," he admits, a few years on from a period that by his own reckoning almost caused the wheels to come off completely. "Resident Human was a very odd place to be, for all of us. In many ways I think [recording] it was the only thing holding me together. All my paid work in Finland had stopped and I was just trying to grind away.
"Eventually I got a job in a factory," he reveals. "For a moment it looked like our career was done; 2019 had been such an amazing year for us, so it really felt like this profound sense of loss. We really weren't sure where we'd go from there, so I think there was a lot of pain and confusion that went into the album. Life and death, considering our place in the cosmos... that kind of stuff." Three years on from the release of Resident Human, Wheel are in motion again. Returning to the road after the pandemic helped establish a sense of momentum they've carried forward to their bold new album, Charismatic Leaders.
At the same time, the band have also rediscovered a sense of heft that made them rising stars in the prog metal scene in the first place. Three albums in and almost a decade since they formed, Wheel are coming into their own.
"Formed' is a strong word," Lascelles deadpans. "Originally it was all just a demo on my computer I'd done with my old band in the UK many, many years earlier. That ended up being the material for our debut EP [The Path].
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JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.