CULTURAL CZARINA
Nita Ambani, 60
Founder Chairperson, Reliance Foundation and Nita Mukesh Ambani Cultural Centre
NITA AMBANI WALKS INTO HER OFFICE at the eponymous Nita Mukesh Ambani Cultural Centre (NMACC) dressed in a radiant red Banarasi sari from Reliance Retail's homegrown label Swadesh. "Everything in here is Made-in-India," says Ambani, "except for the TV (that's Japanese)." Among the treasures is an N.S. Bendre painting, the very first work she bought after marriage in 1986, and an ornate Pichhwai-painted pankha (fan) installed on the ceiling.
In between shooting for INDIA TODAY, she has been prepping for the annual day celebrations of Dhirubhai Ambani International School (it's the first since the pandemic, she says) and the IPL auction in Dubai (RIL owns the Mumbai Indians franchise). And then there's the charitable work with the Reliance Foundation and planning for the next big production to bring and create at the NMACC.
"All women are multitaskers," says Ambani. "Whatever my boys Akash and Anant can do, my daughter Isha can do as well. I firmly believe that what women cannot do, cannot be done."
The NMACC is the culmination of a dream that Ambani has had for long-a performing arts space in India that would be the envy of the world. "I took a little bit of every space I visited the world over and stored it in my head," she says. It captures her passion for the arts, one that dates back to her childhood when she learned Bharatanatyam, and later as an actor in her student days at the Narsee Monjee college. Acting was set aside, but dancing is still in her blood as she makes time to practise.
Esta historia es de la edición January 01, 2024 de India Today.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición January 01, 2024 de India Today.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
He gave the beat to the world
He would pick up the rhythms of each experience of mobility and weave them into his taals. Thus it was that he reflected joy and laughter in rhythmic cycles...such was the magic of Zakir's fingersText and photographs by Raghu Rai
KERALA TOURISM CAMPAIGN, 1989 - TICKETS TO PARADISE
All it took was a catchy tagline-'God's Own Country'-for the world to discover Kerala's wealth of natural beauty. It remains among the best tourism ad campaigns, earning the state a place among top 10 international destinations
SPIRITUALITY - THE GURUS OF COOL
Among the cult Indian gurus, no one had a bigger hold on western minds than 'Osho' Rajneesh. He's also perhaps the role model for the enterprise-building gurus of today
RETAIL SHOPPING - THE MALL MANIA
Shopping malls, a 1990s innovation in India, changed the way the Indian middle class shops. Their success now lies in being 'shoppertainment' destinations, offering something for everyone
CULINARY RENAISSANCE, 1978 - TANDOORI NIGHTS
ITC's Bukhara and Dum Pukht turned the world to tandoori cuisine and had an enormous impact on the F&B industry. Decades on, they are still a pit-stop for celebrities and heads of state visiting Delhi
INDIAN WRITING IN ENGLISH - REVENGE OF THE NATIVE
Rushdie lit the way but Indian writing in English has taken a life of its own in the past few decades, with translated Indian fiction most recently having its moment in the sun
INDIAN ART - A BRUSH WITH GOLD DUST
The 1990s economic liberalisation came as oxygen, lighting up the Indian art scene. Today, artworks by established masters routinely go for astronomical amounts
FESTIVAL OF INDIA, 1982 - CULTURE CAPITAL
The Festival of India grew into a symbol of our 'soft power', introducing our art and aesthetics to a global audience while also helping rebrand our domestic products
THE INDIPOP TREND - DISCO GOES DESI
For ages, the film song ruled. Nothing else was audible. Then came Nazia, charioteered by Biddu, and Indian ears went into a pleasant madness. Literally, Disco Deewane. A whole genre was born
SHOLAY 1975 - THE BIRTH OF THE FANDEMIC
India had seen hits before. But Sholay seared into its collective psyche like a badland bullet. The effect was on a scale never seen before- one film creating a new mass folk culture. And a trail of monster blockbusters that still continues