IN an article he wrote for Time magazine in 2001, reflecting on fifty years of India’s independence, Salman Rushdie connected the “so-called idea of India” to the modern Indian self, through a string of paradoxes: “In the modern age, we have come to understand our own selves as composites, often contradictory, even internally incompatible. We have understood that each of us is many different people. Our younger selves differ from our older selves; we can be bold in the company of our lovers and timorous before our employers, principled when we instruct our children and corrupt when offered some secret temptation; we are serious and frivolous, loud and quiet, aggressive and easily abashed. The 19th-century concept of the integrated self has been replaced by this jostling crowd of ‘I’s. And yet, unless we are damaged, or deranged, we usually have a relatively clear sense of who we are. I agree with my many selves to call all of them ‘me.’”
Esta historia es de la edición March 11, 2024 de Outlook.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición March 11, 2024 de Outlook.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
No Singular Self
Sudarshan Shetty's work questions the singularity of identity
Mass Killing
Genocide or not, stop the massacre of Palestinians
Passing on the Gavel
The higher judiciary must locate its own charter in the Constitution. There should not be any ambiguity
India Reads Korea
Books, comics and webtoons by Korean writers and creators-Indian enthusiasts welcome them all
The K-kraze
A chronology of how the Korean cultural wave(s) managed to sweep global audiences
Tapping Everyday Intimacies
Korean filmmaker Hong Sang-soo departs from his outsized national cinema with low-budget, chatty dramedies
Tooth and Nail
The influence of Korean cinema on Bollywood aesthetics isn't matched by engagement with its deeper themes as scene after scene of seemingly vacuous violence testify, shorn of their original context
Beyond Enemy Lines
The recent crop of films on North-South Korea relations reflects a deep-seated yearning for the reunification of Korea
Ramyeon Mogole?
How the Korean aesthetic took over the Indian market and mindspace
Old Ties, Modern Dreams
K-culture in Tamil Nadu is a very serious pursuit for many