THE satsangs of self-styled 'godman' Baba Bhole Nath are a riot of colours and sounds. At the centre of an elevated stage, the Baba sits, dressed in pearly whites and on a gilded throne. A sea of followers-sevadaars and bhakts-encircle him like the four whorls of a flower, segregated by colour and function.
The outermost circle is populated with lakhs of devotees, mostly women who are encouraged to show up to the satsangs in brightly coloured sarees. Young girls in bridal wear sit in the front rows and call themselves 'gopikas' of the Baba, separated from him by three colour-coded layers of security. The first cordon consists of the pink saree and capclad Narayani Sena. The second whorl consists of the "Hari Vahak" factions, dressed in brown uniforms. The closest cordon to the Baba is the Garud Sena (Eagle Army), armed and dressed in black overalls. Like the devotees, most of these personnel are women and remain close to him at all times.
"I usually serve water to devotees at the satsangs," says Premvati from Bulandshahr, holding up a picture of one such event on her mobile phone. A member of Narayani Sena, Premvati has been in Baba's service for 20 years. Ever since she drank the Baba's 'magic water,' she and her family have prospered, she says. "My husband became a pradhaan, my three sons got good jobs, all because of Prabhuji's blessings," she quips.
Esta historia es de la edición August 01, 2024 de Outlook.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición August 01, 2024 de Outlook.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee