THOSE of us who have had the privilege to see that astonishing Stanley Kubrick film saw it coming. Arguably the greatest sci-fi film ever made, 2001: A Space Odyssey (1968) dealt with apparently staple science fiction themes—evolution, technology, artificial intelligence (AI), and extraterrestrial life. But Kubrick was no Cold War pushover. Instead, he assembled his severe dislike for campy cheapness and tacky thrills, science writer Arthur C Clarke, spectacular special effects, minimal dialogues, surreal imagery, and the waltzes of Johan and Richard Strauss. The resultant kinetic energy and meditative power of the film is still unrivalled but what is genuinely lingering is how much Clarke and Kubrick were philosophically concerned about the limit of human intelligence. And here intelligence meant both—that we are cognisant of ourselves; and we are able to decipher similar intelligence elsewhere. That pivotal scene where astronaut Dave switches off HAL to dull its desire for control of the ship is in some ways the metaphor for the predicament that humanity in general, and cinema in particular, faces in the present.
Should we be insurgent and turn off the seduction of futuristic technology; or should we grudgingly hand it over to machines?
Esta historia es de la edición January 01, 2024 de Outlook.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición January 01, 2024 de Outlook.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Trump, Up And Charging
'Many countries are nervous about Donald Trump returning to power, but India is not one of them'
Post and Past the Oil in Azerbaijan
As the UN climate conference takes place in Baku, Azerbaijan traces the history of the hydrocarbon industry through the lens of postage stamps
Bhutto's Nehru Story
Nehru's principle of \"compromise and argument\" remains the only workable formula for South Asian leaders
Breathless on Bachchan
Cédric Dupire's documentary The Real Superstar is an irreverent, experimental archive of Amitabh Bachchan's life and his stardom
The Anaphora to Zeugma of the Queen's English
Shashi Tharoor's book is a logophile's candy shop, full of fun, surprises and insights
The Wind Knocked
THE wind knocked on the door. Hesitantly. Wanting to be let in. It had heard the murmuring of the flames. And knew that there was a fire. The wind sought shelter.
The Way Home
“We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.”—Gaston Bachelard, The Poetics of Space
The War Artist
Cartoonist and journalist Joe Sacco is in search of the truths distorted by conventional narratives
Mining Adivasi Votes
If the BJP manages to win Jharkhand, it will be the third mineral-rich state after Odisha and Chhattisgarh that will fall into the party's kitty
Unequal Republic
Political parties make promises of equal represention to women, but patriarchy continues to dominate electoral democracy