THE Union Home Minister Amit Shah, while launching the electoral manifesto of the BJP in Jharkhand, said that the party would bring a law to restrict the transfer of land from Adivasis to ‘Bangladeshi infiltrators’. He also reiterated the promise of implementing the Uniform Civil Code (UCC) in the state, but this time with a twist—“Adivasis will be exempted from its ambit,” he said. This is, however, not the first time that the trope of Bangladeshi infiltrators has been invoked by BJP leaders in the run-up to the Jharkhand Assembly elections. It started with the BJP’s plan to bring in Assam Chief Minister Himanta Biswa Sarma as the election-in-charge of the state. Sarma is known for invoking the narratives of ‘love jihad’ and ‘land jihad’ on his home turf. But the way it worked in his favour in Assam, will it serve the same purpose in Jharkhand? The historic cultural transactions and bonhomie between Adivasis and Muslims in the Chhota Nagpur region vouch for a different reality where the sense of assimilation prevails over imaginative separation.
A meeting with Padma Shri lokgeet singer Madhu Mansoori—who gained prominence with his song ‘Gao Chorab Nahi’—around 20 km from Ranchi, behind a roadside dhaba named ‘Jharkhand Muslim Hotel’, brings forth a new form of identity assertion. Showing reverence to his Muslim identity, if you greet him with Assalamu Alaykum, he responds with folded hands and a broad smile and says, ‘Johar’. Explaining his identity in a lucid manner, he says: “I consider myself to be an ‘Oraon Muslim’. The privileging of Adivasi identity over religious identity stems from the long cultural relations we share with the Adivasis.” Although his family embraced Islam several generations ago, being Adivasis, their cultural practices remain the same. He says that while he celebrates Eid and Baqarid, he never desists from celebrating Karma or Sarhul.
Esta historia es de la edición November 21, 2024 de Outlook.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición November 21, 2024 de Outlook.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee