A decade ago TIME asked your predecessor whether the planet would always be able to produce enough food for everyone. She said yes. Do you feel that way? I think we will struggle with having enough food in the future. We may not have enough food for everybody in 2023. There’s no doubt we can produce enough food for the world’s population; humanity’s strategic enough to achieve that. The question is whether—because of war and conflict and corruption and destabilization—we do. Look, 200 years ago, there were 1.1 billion people on planet earth, and 95% of them lived in extreme poverty. Today, less than 10% are in extreme poverty. But in the last five years, we’re absolutely going backwards—and it’s not just a little bit, either. That should frighten the hell out of anybody.
Esta historia es de la edición February 13 - 20, 2023 (Double Issue) de Time.
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Esta historia es de la edición February 13 - 20, 2023 (Double Issue) de Time.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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THE NEW APPRENTICE
J.D. Vance's juggling act
Fear in Lebanon, and a new front
FIRST, ON SEPT. 17, THERE WERE exploding pagers.
The hunt for life on a moon of Jupiter begins
NEARLY HALF A BILLION MILES FROM EARTH, A WORLD may be stirring.