Your struggle reminds me of Sarajevo, where I first experienced war as a journalist in 1993. The Bosnian Serb army had besieged the beautiful Bosnian capital, and ordinary citizens-many just teenagers— learned to use the tools of war to defend their families and homes.
The situation was both noble and tragic, inspiring and sad. It made me want to be Sarajevan. It made me want a great cause in my life that would require me to put others before myself. You seem to make yourself immortal when you do that; you seem to make yourself impervious to pain and fear and doubt. The reality is much more complicated, of course. But over and over throughout history, ordinary people defending their homes and families have found themselves capable of feats they never could have imagined.
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Esta historia es de la edición March 13 - 20, 2023 (Double Issue) de Time.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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THE NEW APPRENTICE
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Fear in Lebanon, and a new front
FIRST, ON SEPT. 17, THERE WERE exploding pagers.
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