It's easy, and comfortable, to pass judgment. But Greg Kwedar's true-to-life prison drama Sing Sing asks more of us: If we believe in our own capacity for growth and change, how can we not extend that good faith to other individuals who have made mistakes? Colman Domingo stars as John "Divine G" Whitfield, serving time at the infamous New York prison Sing Sing for a crime he didn't commit, though he's hopeful that an upcoming clemency hearing might clear his name. In the meantime, he's become deeply invested in a prison theater program, not only performing but also serving on its steering committee, helping to determine who joins the program and what productions get mounted. He's also written a play himself, one that he hopes might someday make it to the stage.
He and his closest friend Mike Mike (Sean San José) are always looking for new men who might benefit the group-and benefit from it. They approach Clarence "Divine Eye" Maclin (a real-life alumnus of a similar arts program, playing himself), who has a reputation as a tough guy around the yard.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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