The market is starting to feel saturated; graze the music section on your local Waterstones and you’ll find endless biographies of bass players in long-forgotten prog rock groups, a multitude of cut-and-paste hagiographies and interminable, poorly-written memoirs.
Many of these are written by men (usually men) whose main claim to fame appears to be being born at the right time. But why should we simply venerate someone for buying a copy of Dark Side of the Moon or Revolver? Why should we high-five barely housebroken music hacks for having an opinion about the 13th Floor Elevators or Curtis Mayfield?
But the good ones? Well, when you’re talking about the likes of Jon Savage, David Hepworth, Miranda Sawyer or the late Ian MacDonald, writers who genuinely elevate the form, then in terms of creative writing there is nothing to touch it — writing about music, when done successfully, is as good as listening to music itself.
Esta historia es de la edición October 13, 2023 de Evening Standard.
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Esta historia es de la edición October 13, 2023 de Evening Standard.
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