It’s comparable to the theatrical alchemy of Harry Potter and the Cursed Child, but far more technically sophisticated, pushing monsters into the auditorium while a quintet of young lead actors keep things on a (mostly) human scale. A couple of unlikely plot twists shunt Kate Trefry’s bulging narrative past the three hour mark, but it scarcely matters. As a piece of total theatre, this is streets ahead of anything else.
Esta historia es de la edición December 15, 2023 de Evening Standard.
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Esta historia es de la edición December 15, 2023 de Evening Standard.
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