From tiny beginnings in 2014 as an experimental "micro-play" about black and white working-class life in contemporary London, this enterprise from co-writers Roy Williams and Clint Dyer has grown to chart the political changes of the last 10 years, particularly the populist legitimisation of prejudice.
The original stagings at the National Theatre surfed the turbulent start, middle and aftermath of the pandemic.
The West End transfers, once again directed by Dyer, reference Kamala Harris's potential presidency.
Esta historia es de la edición August 29, 2024 de Evening Standard.
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Esta historia es de la edición August 29, 2024 de Evening Standard.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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