A masterclass of sci-fi brought to the stage
The Herald|February 16, 2023
A DOOR stands in the middle of a stage. A dressing gown hangs limply on the back of the door.
ANDY PHILLIPS
A masterclass of sci-fi brought to the stage

The main character is being hunted, with a piercing soundtrack rising with his terror. On the back of the door, the dressing gown moves, and a hand emerges from one arm, fingers writhing and reaching out.

It is just one of the mind-bending moments which helps to bring Neil Gaiman's sci-fi novel to life on the stage.

From ingenious sleight of hand tricks to puppets large and small bringing fantasy creatures to life, the remarkable adaptation is a masterclass of how science fiction can be brought to the stage.

The well-loved story of a boy who stumbles into a fantasy world where an apparent duck pond is a tear in the fabric of time and space means the stage

has to be turned into not just one world, but many worlds, with journeys aplenty.

Doing that on a relatively small stage is a conundrum, and yet the adaptation by Joel Horwood and director Katy Rudd is both stylish and effective, and ensures that the audience are taken along for the ride.

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