In this keystone of modern drama, derelicts Vladimir and Estragon — described by Beckett as “clowns” — battle against the meaningless of life, waiting in a blasted landscape for a man they don’t know who never comes.
The bleak wit and the absurdity sit well with our frightening but also ridiculous times, as does the plaster artificiality of Rae Smith’s set and the occasional breaking of the fourth wall.
Esta historia es de la edición September 26, 2024 de The London Standard.
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Esta historia es de la edición September 26, 2024 de The London Standard.
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