FRENCH director-writer Coralie Fargeat's second feature The Substance had its world premiere at the Cannes Film Festival this year where it won the best screenplay award. The body horror film stars Demi Moore as an ageing star Elizabeth, who gets dropped unceremoniously from her long-running TV show. She takes to a serum called The Substance to temporarily create a younger version of herself, Sue, played by Margaret Qualley. As things take one bizarre turn after another, Fargeat builds up a stinging critique of ageism and lookism and the impossible standards of beauty that women are expected to live up to.
After playing recently in India at the MAMI Mumbai Film Festival, the film dropped on MUBI today. In this interview, Fargeat speaks about the body horror genre and the portrayal of women's bodies in films, critiquing the way women are looked at by society and working with Moore and Qualley. Excerpts: What is your take on the body horror genre? I would cow that it's overything related to how we see our body and the fear that we can have towards it-how it can transform and how we may want to improve it. We have often wanted to escape the body we have and create something else out of it, or make it last longer, or get control over it. But in the end, it's the only thing that we don't have control over.
The film blends humour and horror. How did you decide to do that?
A genre film is paired almost always with humor. It allows all the violence and the socio-political issues to go through to the audience in a bearable way. I'm not so much interested in realism and violence in my films but in transcending it and creating something that becomes almost like pop art. I think it's a great way to relieve all the tension. So, I love to pair humour and horror.
Esta historia es de la edición October 31, 2024 de The New Indian Express.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición October 31, 2024 de The New Indian Express.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Engaging emotional core makes up for preachiness
THERE has not been many films or series about characters sustaining a deep emotional wound carried from their childhood.
'Rebellion creates art'
At the 55th International Film Festival of India, filmmaker Shekhar Kapur, speaks about censorship, Masoom 2, and more
Sundeep Kishan to headline Jason Sanjay's directorial debut
N Friday, Lyca Productions announced the cast and crew of Jason Sanjay's directorial debut.
Spectacular Visuals elevate a generic yet charming story
BACK in 2016, when Moana hit theaters, it opened to a wave of positivity. At its core, the film conveyed the age-old message of good triumphing over evil.
FILMMAKING OVERTAKES STORYTELLING IN THIS MOSTLY EFFECTIVE PRISON DRAMA
We are often told that hell is for sinners and heaven is for the morally upright. In Sidharth Vishwanath's metaphorically rich Sorgavaasal, we are shown how the prison, which operates much like hell, is a place where sinners rule, and more often than not, the innocent are condemned to either rot or turn sinners themselves.
Paediatric urology: Why timely treatment matters
GENITOURINARY disorders are among the most common surgical issues in children, comprising over 40 per cent of paediatric surgical cases seen in clinical practice.
PILL SCARCITY & PERILS
While there is a worry of ban on over-thecounter emergency contraceptive pills, people share their difficulties in finding these drugs in pharmacies
WHOLESOME GOODNESS
OW much food do you feed your child – a small bowl, a third of the plate, or maybe using the \"fist-sized stomach\" rule? No matter how you measure, there's always that lingering question – \"Is my child full, or am I overfeeding them?\"
A fashion symphony
Shifting the lens on the artistes' attire rather than just their art, the Marvellous Marghazhi is back for a second time this Sunday
Plastic Pollution Negotiations at the Crossroads in Busan
India proposes dedicated multilateral fund to compensate developing countries for their transition towards plastic-free living - without overlap with the mandates of other multilateral agreements