WELL, HERE I AM AGAIN, back in Bangkok, sitting on the same old wobbly plastic stool, outside the same old Chinatown food shop, eating the same old oyster omelet. But there's nothing everyday about this particular dish. Nai Mong Hoi Thod may look like little more than a white-tiled hole in the wall, with a few tables and a fearsome charcoal wok that sizzles and sparks and roars. But appearances can be deceiving. Michelin has designated the restaurant as Bib Gourmand, and its famous omelet-golden, gooey, and studded with sweet-salty bivalves-is a dish of frazzled majesty. As scavenging cats wind between our legs and as tuktuks, scooters, and bicycles whiz through air so thick and hot you could scoop it with a spoon, I look at my dining companion, the chef, restaurateur, and writer David Thompson, and grin with sweaty glee. It really is good to be back.
Bangkok pulses and seethes, throbs and growls. It is both wildly cacophonous and magnificently languid, an ancient city in thrall to the modern. It might not be conventionally beautiful-the concrete is crumbling, the corrugated iron corroded, and the roads pockmarked with holes. Overhead are decades' worth of utility wires, tangled into thick balls, like great nests of metallic noodles.
But look closer, and you'll find scenes of breathtaking loveliness: a tiny shrine draped with garlands; a fresh-fruit stall, almost fecund in its lushness; a verdant garden, secreted away behind high walls. Bangkok cares little about what you think, which makes me love it all the more.
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Sands of Time - Sculpted by millennia, Chad is a place of ancient geology and epic grandeur. Aminatta Forna finds her place in it all
The 15,000-square-mile Ennedi Massif, in north-eastern Chad, is a plateau the size of Switzerland. Between 350 million and 500 million years ago, this part of the globe was an ocean. Then the ocean disappeared, leaving the sandstone floor exposed. The climate shifted from rain-soaked to arid. Sun, wind, and water sculpted the sandstone into a dramatic, desolate, unearthly landscape of gorges and valleys, inselbergs and stacks, towering tassili and natural arches. In the desert the delicate threads of life become apparent in trails of tiny footprints scattered across the sands: here, the tear-shaped tracks of a lizard; there, the dimpled prints of a gerbil.
Antiques Road Show - After buying a second home, in France, the designer Claire Vivier called up fellow designer Kate Berry to go on the ultimate shopping spree
When Los Angeles-based designer Clare Vivier began decorating the 19th-century house she'd bought in her husband's hometown of Saint-Calais, in France's Loire Valley, she had a particular aesthetic in mind. I love color and patterns but wanted something peaceful, so the intention was to create a dialogue between those two things, she says. She wanted the house to have a blend of contemporary pieces, antiques, and textiles from heritage maisons to create a space that, much like her namesake handbag and fashion label, channeled both California fun and French sophistication. She also knew that she wanted her longtime friend Kate Berry, a designer and creative director, to help her make it happen.
The Slow Road - Rather than rush from Tokyo to Kyoto by train, as most visitors to Japan do, Tom Vanderbilt chose to bike - coasting down country roads, spying snow monkeys, and refueling with hearty bowls of soba
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SHAILENE WOODLEY on FIJI
I was in Suva, the capital of Fiji, making a film, and our crew took over half of the Grand Pacific Hotel.
easy does it
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gather round
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THE PAST IS PRESENT
Beguilingly complex Istanbul has done a lot of soul-searching in recent years. Lale Arikoglu digs into the city's modern identity - while tracing the roots of her own
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