An architect’s office is a building type with a halo. Or so it often seems. The object of idolatry (think B V Doshi’s ‘Sangath’ or RCR’s immersive cavern) or the object of derision (that’s most of us — insert emoticon here!). What is undeniable though is its everlasting aura as an enduring symbol for what an architect or a practice stands for — in that sense, almost an outwardly, worldly expression of what a home stands for, for how you live.
Value systems and a world-view — these are two implicit aspects that seem to create amongst the fraternity of architecture geeks a sense of why a certain architect’s office ‘makes it’ (isn’t it special!), and why some don’t (nice, but isn’t it generic?). Thus while it is pretty awesome to see pictures of Rafael Vinoly’s sprawling, but yes, impersonal — and generic — office, it is not as special as say, O’Donnell + Tuomey’s lovely mini-warehouse sprawl. An architect’s office needs to be a ‘Wunderkammer’, a treasured place, whether because of what it ‘contains’ or ‘captures’ as sediments of time, work, effort, experience and personas. Or perhaps also because of what it ‘is’ — a meta-narrative or synthesis of what the practice firmly believes in, and where you can, quite literally, see the practice’s ideas ‘at work’. KSM’s new office space firmly lodges itself into the latter.
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