An astute eye enhanced by knowledge from dealers has helped this collector hone his dynamic and diverse collection.
For a collector to combine paintings by Fairfield Porter, Jules Olitski and Paul Wiesenfeld in one room and to commission V’Soske, through his decorator, to produce a rug in the precise celery green to hold it all together takes a certain kind of genius, which our collector denies he has. He attributes his skill to learning from the best dealers in the country, getting to know them and coming to trust their vetting process in selecting the best art to represent in their galleries.
When he returned from service in the Navy in Vietnam in 1970, he went to an exhibition at the Speed Art Museum in Louisville, Kentucky, and was invited to join its contemporary collector group. The group traveled to other cities to visit its museums, to learn and to purchase works for the museum at galleries whose owners have since become legendary. “After a while,” he says, “I began to think, ‘If the group doesn’t buy this piece for the museum, I’ll buy it!’ I was hooked.
“My mother also became enthused and when the group didn’t have quite enough to purchase a work it wanted, she would quietly help out,” he continues. “I bought a couple of things for her, American works like paintings by Leon Kroll. My parents loved them but I felt they were pretty but boring pictures. I liked newer work.” He also gave his parents a Steuben glass figurine for Christmas every year. The collection now graces his living room. The Krolls now grace the collection of a museum.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.