Carol Mothner’s fascination with Madonnas, armor and flowers began in her childhood in Brooklyn, New York. “I loved dolls when I was little,” she says.
“My apartment building was mostly Jewish, but my friend Barbara and her family was Catholic. She would invite me to go to church with her and there I saw the most beautiful Madonnas— they were gorgeous dolls.”
After moving to Santa Fe, New Mexico, she began to acquire antique Spanish Madonnas, one of which is always standing in front of her when she paints in her studio.
When she went to the Metropolitan Museum of Art, she “always went straight for the armor room. The armor had wonderful reflections and I’ve always loved reflections. Even then,” she continues, “I knew that little kids needed protection.”
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