Maryhill Museum of Art presents 40 paintings by renowned American realist Richard F. Lack.
Richard Lack (1928-2009) remembered studying with R. H. Ives Gammell (1893-1981) at the Fenway Studios in Boston: “He was very direct, very frank. No hyperbole; just right to the point—which I appreciated, although I got a little irritated in the beginning because as a precocious art student you don’t like to have people tell you that your work is awful.”
Lack went on to become a distinguished teacher and, in 1999, the American Society of Portrait Artists presented him with their first Founder’s Award. This award is “given to artists who have elevated and continued the tradition of fine portraiture, through works of exceptional merit and the consistent, thorough training of younger artists. Throughout his long and distinguished career, Lack’s work has exhibited the highest standard of both artistry and craftsmanship.”
Lack studied with Gammell in the early ’50s when Gammell was finishing his pictorial sequence based on Francis Thompson’s poem The Hound of Heaven, which he had begun over a decade earlier. The poem inspired “pictorial ideas for which I remained unable to find imagery susceptible of conveying my meaning,” he wrote. A breakthrough came from his reading the writings of Carl Jung. “For an artist interested in the imaginative appeal of his thesis more than in its lasting scientific, validity, Jung demonstrates convincingly the close relationship between myths, symbols, and poetic imagery, and the perpetually recurring emotional patterns of human life from which they evolved…”
I saw his Hound of Heaven sequence at a museum in Worthing, West Sussex, many years ago. I frequently vacationed in nearby Storrington where Thompson (1859-1907) wrote his immortal poem.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.