When Elmer Grey (1872– 1963) arrived in California in 1902 at the age of 30, he was already an established architect who had garnered the distinction of Fellow of the AIA for his design of a country house in Wisconsin.
During his apprentice years Grey made several bicycle trips to Europe under the tutelage of Maine architect John Calvin Stevens, absorbing both the great and the vernacular architecture of the continent and also gaining practice in sketching and water color. Throughout his life Grey would produce accomplished sketches, beautiful water colors and oils, even murals, resulting in his becoming known as an artist as well as an architect.
In 1898 Grey struck out on his own, founding his own architectural practice in Milwaukee. His first project was a summer home for himself in the developing resort of Fox Point, Wisconsin, on the shores of Lake Michigan. As Grey relates it, he had no need for a summer home, he was as yet unmarried and had no family, but he was so attracted to the site on the bluff above the lake that he bought it and built a rustic shingled cottage with a romantically steep gable and a wide porch facing the lake. The house attracted enough favorable publicity that Grey gained other important commissions from wealthy clients in Fox Point, launching him on his career.
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Long-time readers might remember an article about my family’s house in the Adirondacks in American Bungalow No. 58.
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The Hanifan residence not only exemplifies how to expand a modest Craftsman, but is a treasure-trove of vintage and salvaged finds.
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From a small studio in Greenwich, New York, Wildflower Graphics creates stunning botanical illustrations with little more than a pencil and a computer.
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