This approach is followed throughout all stages of my creative process. Whether it be the photo sessions, the images are based on using regular and camera distorted images; the materials and techniques I use, or the formal elements of color, texture, or composition that make up each piece. I work methodically by combining wet and dry mixed-media techniques in order to create an image that is part drawing, painting, and surface textile application.
This series is derived from multiple photo sessions with my models during which I often make use of height platforms in order to achieve a sense of distortion and forced perspective.
Since I am interested in triggering a reaction, the portraits try to express emotions we confront every day, like power, dominance, submission, arrogance, or condescending attitudes - I approach these photo sessions in a direct and confrontational manner with each model. Once I paint and construct the mixed media work, these attitudes are reflected and highlighted through my use of a dominant split- complementary color scheme.
I see potential in new as well as found or discarded material, and I collect a varied assortment of tapes, textiles, embroideries, and trims. In each painting, I combine various tapes, line-drawing media, acrylic, and oil painting techniques, as well as textiles and found objects in order to construct a portrait that conveys the emotion and character of my subject.
We do not all show our genuine emotions in public or a professional workplace, but in environments where we feel comfortable and safe. I create a setting where the models feel less guarded and relaxed, so I can capture their raw emotions and feelings. Ultimately, my goal is to show the spirit of the model's true self and share that emotion through each painting.
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