PORCELAIN PAINTING
International Artist|June - July 2020
An inside look at the history, techniques and artists working in this traditional art form.
Joyce Pike
PORCELAIN PAINTING

Porcelain has been collected among the wealthy since the end of the 18th century. Many artists from Europa’s porcelain factories arrived in the United States, established themselves and soon had their own studios with students. One cannot say it happened overnight, but slowly the interest in porcelain decoration took root. The period during the World War I, and for a while thereafter, became a slow period. Porcelain imported had been preferred even though the porcelain factories in the U.S. made their own pieces that were known as soft porcelain. Slowly but surely ceramic painters were already involved and soon porcelain painters found their way to the more decorative traditional style.

Techniques & Materials

It is a beautiful way to paint—very forgiving because it can be wiped off and leave the white surface of the porcelain, which is intriguing and exciting. Making mistakes can easily be corrected before the first fire. The method of “paint and wipe” is common and certainly an asset. A clean cloth takes off what you don’t like, and you can do the painting over until you are satisfied and ready for the first fire.

Porcelain paint comes in powder form. It needs to be mixed with oil—mineral oil—until it is the consistency of toothpaste. It should be mixed thoroughly. This process is called grinding. The paint is placed on a tile or glass; about 8 by 8 inches works well. Then with a flat palette knife it is carefully mixed being sure not to leave any dry paint. Everything should be well mixed.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM INTERNATIONAL ARTISTView all
A Sense of Depth
International Artist

A Sense of Depth

A solid grasp of foreground, mid and background makes Colley Whisson's scenes come to life

time-read
2 mins  |
June/July 2024
Peaceful Places
International Artist

Peaceful Places

Sara Linda Poly creates a sense of atmosphere and depth in her soft, ethereal landscapes

time-read
2 mins  |
June/July 2024
School's in Session
International Artist

School's in Session

A look at some of the many in-person and online art classes and workshops available today

time-read
4 mins  |
June/July 2024
Collaborative Environment
International Artist

Collaborative Environment

In this special edition of Beyond the Palette, we asked Scottsdale Artists' School executive director Trudy Hays a few of our own questions-about the benefits of art school, community and more

time-read
2 mins  |
June/July 2024
Flying COLORS
International Artist

Flying COLORS

Artist David Barclay discusses how to pack painting gear for air travel-managing bulk, weight restrictions and more

time-read
1 min  |
June/July 2024
Keep It REAL
International Artist

Keep It REAL

The Art Renewal Center bolsters the support and reverence of traditional representational art

time-read
3 mins  |
June/July 2024
BUILDING AN ART CAREER ONLINE PART I
International Artist

BUILDING AN ART CAREER ONLINE PART I

In this two-part series, James Gurney presents options for artists who want to improve their internet business strategies

time-read
4 mins  |
June/July 2024
EDWARD FRAUGHTON
International Artist

EDWARD FRAUGHTON

Sculpting the Spirit of the American West

time-read
6 mins  |
June/July 2024
Preserving the Soul of Art
International Artist

Preserving the Soul of Art

Throughout human history, people have used art to express themselves, record their daily activities, capture moments and share their emotions.

time-read
3 mins  |
June/July 2024
Intrigue in the ordinary
International Artist

Intrigue in the ordinary

I've \"'ve never had any formal training always had a strong attraction to the arts and the practice of painting

time-read
1 min  |
August/September 2023