Ana Leovy – Confetti in Cancún
JUXTAPOZ|Winter 2021
Ana Leovy’s glass is half full, effervescent with bubbles, ready to toast the day and share the good news. Maybe on a solo stroll, maybe with friends and neighbors, the message is clear in her ripe gouache and acrylic pictures. Follow the light like a sunflower, lounge proud with purpose. A tropical storm delayed our conversation, but didn’t dampen her spirits.
Ana Leovy – Confetti in Cancún

Gwynned Vitello: Your work has real vibrancy and immediacy, so I can see how you got lots of work as a graphic designer. The paintings kind of burst and sing, but I guess you felt boxed in doing corporate work. Tell me about your transition to full-time painting.

Ana Leovy: Thank you! Painting has always been my passion, and, as a kid, I always dreamed of being a painter. I initially wanted to major in visual arts, but ended up going for a “safer” choice and studied graphic design, out of my fear of not being able to have a successful career, of not making a living. Although it was not my dream job initially, I don’t regret choosing graphic design as a career. I ended up loving it and I’m grateful because it gave me so many tools I use today.

I started transitioning to full-time painting about three years ago. I’d been working as a designer in an ecommerce start-up in Mexico City, completely fed up with the routine and the long commute. It was a good job, but I felt like there was something missing and it felt wrong to stay there any longer. I decided to move to Barcelona and did a masters in graphic design applied to illustration. I think that was my true beginning! My love for design grew while discovering creative sides within illustration. Spain was particularly special to be because I was surrounded by people who lived off art and inspired and pushed me to do the same. I had lots of spare time between classes, so that allowed me to get back to my sketchbook and let it all out. It was very cathartic.

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